Finals Week!

Just a quick update:
I am running around like a chicken with its head and both of its wings cut off. (Yes, it's that intense.) But all of this pandemonium will come to an end on Wednesday! Which is both exhilarating and utterly terrifying at once. As I have about a month left of work to do in the next few days, I obviously won't be posting anything interesting until my much-awaited break is upon me. Once that hits, I can finally start posting sewing projects again!! My projects for break are slated to be:

- Cravats. Lots of cravats.
- A new ballgown! (To be worn in February)
- A corset cover (if I get to it)
- New chemise and drawers
- A shirt and pants for my brother (it's kind of cheating to put these on the list because he'll be doing the bulk of the work on them, but I'll be teaching him and helping out as he goes. I think I'll make a guys' shirt along with him, so that I'll be able to do so again in the future!)

That should keep me busy, since I'll also be chilling over at the museum, working on some research for my thesis project next semester, applying for jobs/internships, writing scholarship essays, going up north with my family, reading a handful of books, and learning rudimentary level German. Breaks are not, as commonly supposed, for laying around and sleeping. :) But I'm so excited for all of this... now just to finish four graphic design projects, do a paper and presentation, study for and take a few finals, clean out my painting studio area, pack up my house, and hit the road!

Thanksgiving and a Cravat

The title pretty much sums it up. Between going home, the Thanksgiving festivities, a smattering of other events, and still trying to cram in as much homework as possible, I stayed pretty busy this weekend!

As I positively pine away for sewing while I'm at school, I did fit a few quick projects in while I was home. The first was to hem up a little tree skirt for my mom, which emerged out of a remnant from her stash. After that, the sewing machine was out and threaded, so I decided to keep going. I wanted to make a few cravats for my brother (he just started reenacting, and I couldn't resist the irony of giving him "ties" for Christmas) so I went to the great wealth of knowledge that is the internet and tracked down a tutorial. I found a marvelous one from Sarah over at Romantic History (check it out here!), and after tweaking it a little for a different look, here is the result!

I am quite in love with it!

For the fabric, I used a remnant from my Swiss Body project. The burgundy/black changeable taffeta looks quite sharp in cravat form! It still wants a neckband... I'll add one after I give it to him, to make sure that it will be the right length. I'm planning on making a similar one for myself, too, to wear with the Swiss Body of the same color. It was a quick project--I'd say easily under an hour, even though it was my first one. I'll definitely be making more... lots more! I have a whole stack of fabrics that are now waiting to be transformed into a colorful variety of cravat shapes. Stripes, solids, prints, plaids, single bow, double bow, loose ends, small, large, wide, thin... the possibilities are endless! I have a feeling that my brother will soon have a different necktie for every day of the month. I hope he likes them ;)

New (To Me) Victorian Jewelry

I have been on a bit of an ebay kick lately. As a rule, most of the things I put on my watch list either:
A) Rocket up out of my price range, or
B) Are forgotten about on until bidding has already ended.
However, in the past few weeks, I've been lucky enough to snag a few lovely pieces of Victorian jewelry at a very reasonable price.

Piece #1: Signet Ring

I seriously tried 20 times to get a crisp picture.

This lovely little piece was perfect for me. It was re-sized at some point to around a 6, which fits on my pointer/left thumb. (I have tiny little hands.) And, most excitingly, it's engraved with a lovely letter "E"! Usually, my initials are hard to come by. The condition is lovely, and the detail is wonderful. I am a big fan.

Piece #2: Buckle Bracelet

It's more of an oval shape, but looks round from this angle.
The way it's made, the buckle sits off to one side.

I have been wanting a buckle forever, and couldn't believe I won this one for under $20 including shipping! It's in excellent condition, with a working clasp and hinge and good clear engraving. It's also on the small side, which makes it perfect for my little wrists/hands, as most bangle style bracelets slide right off.

I got to debut the buckle at Wolcott, but the ring didn't arrive until a few days later. I can't wait to sport them together at my next event, which at present looks to be the Midwinter's Ball in February. Until then, I can wear them around with my modern clothes. (Which I may or may not be doing already...) I can't even pick a favorite between the two... I just love them both to bits!

They go so nicely together!

Currently occupying the top slot on my accessories wishlist is a pair of original earrings, but those are reaaaally challenging to find to fit a college budget. I'd settle for a solid pair of repros, but those too are hard to come by. I'll have to keep an eye out--that's paid off so far!

Flirtation, Victorian Style

Whew, I submitted my biggest term paper of the semester last night. In Mother Russia, research projects finish you! (I love my Russian History class, but... dang.) 

In the light spirit which this places me, here's an interesting alternative to flirting with a fan. I present to you: how to flirt with gloves, a handkerchief, and a parasol! Darn, if only the guys knew this code too... I would be the biggest flirt in camp!*

I really love the flirting codes, language of flowers, etc. Sending someone ambrosia and celandine or skilfully wielding a handkerchief beats out sending a text message any day of the week.

*actually not true

Corset Cover Research

I really need a corset cover to go under my Garibaldi. The way my old corset was made, it didn't peek up much under my Swiss Body. My chemise served just fine as the underbodice, so I never worried about it overmuch. However, my new corset is cut a good inch or two higher in the front, and consequently shows. Thus, I have been looking for a style of corset cover to pattern something after when I'm on break, and can buckle down and make one. Here are some images I've come across that I really like! (Found on Google images and Pinterest.)

Cool sleeves! But would they get bunchy?

I like the huuuge trim on this one! And also the
wide decolletage.

I like these two a lot, and plan to do something toward one or the other. They both have a nice shape, and the lace adds some nice decoration without adding loads of time.

I'll probably *coughdefinitelycough* go with something simpler that doesn't involve hours of embroidery, but I loved these other examples I found and had to post them.

1869. So, a little late. But super cute!

From the '70s, so it's also a little late,
but DANG! I want it. A lot.

Wolcott Mill!

Providence shone upon me this year in the form of scheduling, and placed my fall break and the Wolcott Mill reenactment on the same weekend. Usually, Wolcott is the weekend before and coincides with midterms, which puts attending pretty much out of the question. So while I wasn't able to camp this year, I was able to daytrip out for part of Saturday! It was chilly and damp, but I was just thrilled to be dressed and at an event.

Since I haven't done any fall events before, my entire wardrobe is geared for summer weather. I decided to wear the "Black Hole" dress, and accessorized with a pashima shawl, kid leather gloves, a black velvet belt with a mother of pearl buckle, a jet and gold brooch, my little reticule, and my new boots from Jackson. In order to stay warm in my thin cotton, I cheated a bit and layered a black long-sleeved shirt under the dress. I also lived on the scandalous side and went without a bonnet or hat, as it was unseasonably late for straw, and I haven't gotten around to making anything of silk or wool yet. One of these days!

The whole ensemble!

The military portrayed the Battle of Sheperdstown, fought just after Antietam in September of '62. I was there for Part I, by the end of which the Union had swept the field. (According to my history, however, the ultimate victory in Part II went to the South.)

The Confederate skirmish line towards the beginning of the battle.

Overall, it was a lovely event. I hope to camp for this one after I'm done with college and can take a weekend away without worrying about the piles of homework I'm leaving behind. Until then, I'll have to start in on some warmer clothes. My purple plaid is pretty thick. If I let out the hem on that (which I have to do anyhow) and make a coat/cloak, hood, muff, and some flannel underpinnings, I should be ready to brave the October weather!

New Corset!

[Sorry for the long hiatus! I've been totally swamped with school, but now have a few posts to put up. This one's been written up in the queue for a while, but I just now finally got around to sticking the pictures in.]

Towards the end of the summer, I put on my corset to get ready to docent at my historical village, for which I dress to the Civil War era. I snapped the busk together and proceeded to pull on the lacing. Without too much tugging it stopped tightening, but wasn't nearly snug yet. I checked in the mirror, and sure enough, it had finally laced up all the way in the back with room to spare. Not good! With the Jackson reenactment approaching (the enormous crowning jewel of the summer reenacting season) I did not want to be parading around in an ill-fitted corset, which correspondingly would not support my back and hoop. So I finally got on the ball, and called up my friend to help me whip up a new one. It was a bit of a whirlwind, (hence scant/nonexistent process photos) but here is the general rundown of the project:

Stage 1: Mockup
Pretty self explanatory. I used my friend's pattern as we're a similar size (I'm a little shorter and rounder, but it worked just the same) and cut out the mockup in a fabric that doesn't stretch. I was confused as to fitting something with two closures with a projected gap in the back. Solution: sew a 2"-3" strip in the back where you want the lacing gap to be, and fit the rest as usual. Brilliant!

Many, many pins in the mockup!

Stage 2: Cut out all 34857 pieces
Seriously, there are that many. Gussets here, gussets there... and every piece needs to be cut out in all of the different fabric types. (Lining, canvas, and outer fabric, with more optional fashion fabric.) Snip away!

Stage 3: Sew all 34857 pieces together
3a. Sewed canvas and lining together
3b. Assembled attached canvas and lining
3c. Assembled fashion/outer fabric... partially.

Stage 4: Boning and Busk
Boned the lining/canvas pieces, then attached the outer fabric and stuck the busk in. Not necessarily in that order. This stage closely resembled total chaos. I wound up with a 12" busk, and I think I ended up using 26 or 28 bones total.

Stage 5: Grommets
Ahh. Something I already knew how to do, at last. I used some borrowed awls to make the holes, to avoid fraying that would come from punching holes. Then I stuck in 30 grommets with the Crop-O-Dile that I have stolen from my mom for a countless number of projects.

Stage 6: TRY IT ON NOW
For real. So important! Mine ended up getting a full couple of inches longer after it was boned. Like, I-can't-sit-down-in-this-long. A few bones also hit in uncomfortable spots. (ie. jabbing me in the armpit and causing me to permanently hunch my shoulders. Not good!) My dear brother and father cut the bones down to the proper length, and I was able to adjust things so that it fit well. Crisis averted... fortunately before there was casing to rip off!

Stage 7: Casing
I admit, I did not do this stage justice. It was the last step and was getting close to the event. (Like, "four hours" close.) So I whipped some bias-cut canvas casing on with the machine, bent two sewing machine needles by going too close to some bones, and got it together enough to wear.

Stage 8: Lace it all up
I like mine laced in three sections, so that I can easily get it on and off myself as I often have to dress without assistance. I'm not sure how accurate that system is, but hey, it's not visible anyhow! I ended up with 15 grommets per side, which neatly divided into sections of 5 pairs per lace. (I ended up using around 8 yards of lacing, but could have definitely gotten away with 7. Better safe than sorry, though... trimming is always an option!)

Stage 9: Look fabulous, in increased comfort!
I love my new corset! It was in places tricky, tedious, and a little frustrating, but all in all it was very worth it. If it comes down to it again, I'll definitely make another one over buying it.

And here, finally, are some photos!

The finished product. Off, it looks pretty shapeless.
But it's not!!

Purple stitching!

Business on the outside...

Party on the inside! I was talked into using my plaid
mockup as a colorful lining. Here, you can partially see
where I ended up putting my bones. 

EDIT: When I made the corset in August, there was a beautiful, perfect 2-inch gap down the back. I have since lost more weight, and now my new corset is lacing all the way up, too! Agh! I'm happy to have thinned down, though... I can always make adjustments. The side seams are still raw, so I'll probably start by pulling those in a bit where they're not too close to the bones.

Evidence of Me in 1861

Hey look: I found a picture of me at Hastings... from 1861!

Strolling down the street, collecting admiring glances
from all the men in uniform. So, business as usual.

Ha! But for real, check out the outfit...

Look familiar?!

This stylish young lady is strolling around Baltimore, MD, boldly sporting a CSA 1st National Flag apron. Adding to her accessories, she has a Colt revolver jammed into the waistband of her apron. I may have to branch out in my accessorizing at events ;)

I was pretty excited when I ran across this in an issue of Harper's Weekly. To see the whole issue and/or a better resolution of this picture, head over to Son of the South here. Or just head over there anyway--Paul has the ENTIRE Civil War run of Harper's Weekly up on his site, among other things. It's so awesome, I have no words for it. Just go.

And while I'm posting about my apron again, I may as well add that it has been updated! I got it some military cuff-size buttons back at Hastings, to add to the Southern feel of the thing.

Ta-daaa!

And I recently found another very similar extant apron, this one being a children's piece made from cotton. It's currently housed at the Museum of the Confederacy in Richmond, and there's more info on it here. Also, it lets you zoom in enough to see stitching and construction details. Super helpful!

This seems to be the most popular style of Southern patriotic apron, which makes sense as the flag is so easily adapted to this form. I really love this piece, though!

That's all for now! I'm hoping to still post here and there, but now that classes are in full swing, we'll see what happens. For the immediate future, I'll be posting project wrap-ups from earlier in the summer that didn't fit into other posts, some research and inspiration, and a variety of other things. No brand new projects for now, though :(

The Epic Striped Wrapper, Part II

My Epic Striped wrapper made its debut at Jackson. I am a big fan! The frogs are a nice closure, and I'd use them again in a heartbeat. They went on much faster than buttons/buttonholes, and were secure yet easy to get open and closed. It also fits neatly over my hoop, which is a bonus. 

The top. Imagine frogs going all the way to the floor...
Also, it fits me better than my dressform!

I am planning on adding angled welt pockets using the tiny bit of yellow fabric that I have left, and trimming it with the thin navy cording from the sleeves. I also picked up a few more yards, so that I can line the edges of the front panels in the same. And I'll keep on the lookout for a nice navy upholstery cording to replace my improvised ribbon belt. If I can find more of it, I'd eventually like to add a bottom border in the yellow cotton, too.  So while it's not 100% done yet, it's in very wearable condition! It was super comfortable, and I loved the cut of the sleeves for both coolness and practicality.

If you don't have a wrapper already, I can't recommend one enough! They're a must for reenacting, as a state of half-dress is very handy when getting ready can take so long. On top of that, they're fairly easy (depending on the style you choose), and you can pick the craziest fabric your heart desires!

Remembering Antietam

**I realize that I've missed the Anniversary by a few days. I regretfully had too much homework to do a proper write-up at the time, but am posting it now.

Antietam. It's the battle I've studied most, but I still get a bit of a gut-wrenching shock when I hear the word. There was so much death in so little time, on so little land. Granted, the entire war was bloody. The entire war was tragic. One casualty is too many, because that's a home without a father or a son or a brother. But at Antietam, 23,000 men fell in under 12 hours.

The eastern edge of the Bloody Cornfield

The sun rose over a heavy fog on September 17th, 1862 in Southern Maryland. By the time it set and the fog had burned off the land, it had taken its place as the bloodiest single day in American history. Between a cornfield, a sunken farm lane, a little church, and a small stone bridge, 23,000 casualties were inflicted between the two sides, leaving both armies badly battered. Tactically it was inconclusive, as neither the attacks nor the defense had gone as planned. Ultimately, George McClellan was able to claim a strategic victory for the Union, as Lee's army would withdraw from Maryland in the days following. Years later, history would regard the Battle of Antietam/Sharpsburg to be a major turning point in the Civil War for having shifted the advantage to the Union, and boosting their flagging morale. It opened the door for Abraham Lincoln to issue the Emancipation Proclamation, changing the very face of the war itself. History's course was altered dramatically, yet again.

Burnside's Bridge, site of the third and final phase of the battle.

As we mark 150 years since that warm September day, I propose that we take just a minute to think of those 23,000 men as more than a number. Some fought for ideals while others fought for pay, but by and large, ordinary soldiers on both sides fought not primarily for politics, but for country, family, honor, and loyalty. The soldiers and civilians alike of the War Between the States deserve more than a mention in a textbook here and there--their legacy is a part of American today, whether it's realized or not.

The Bloody Lane in the evening

"History never looks like history when you are living through it."
-John W. Gardner

Surprise!! A Shot of the Finished August '62 Outfit!

You thought I forgot, didn't you? Well maybe I did. Of course I didn't! Here, at long last, is the Plaid Skirt/Swiss Body/Garibaldi Blouse outfit all together!

Lookin' a little rough at the end of Jackson, there...

I finally got an okay shot of it all together. (It's pretty impossible to assemble correctly on the dressform, as the Swiss Body is so exactly shaped, and my form has no shoulders.) The other times I've worn it, the sleeves were rolled down and buttoned, and I had a little burgundy velvet bow at my neck like in the original plate. (In other words, it looked a lot closer to the original inspiration!)  Also, the picture makes the skirt look oddly small, whereas in reality it's HUGE. But here you can get the idea!

Verdict: LOVE IT!! It's a comfortable, fun outfit to wear. The taffeta in the skirt is stiff enough where if it's hot, I can get away with no over-petticoat. The waist is only about half-boned, but at that it lays nicely and I have no bunching problems. Next time I'm going to pin the blouse down to the skirt though, as it kept bunching up when I raised my arms. (Hence, the bunchy top of the blouse sticking up in the photo.) All in all though, I'm a major fan. I made the swiss body by making a toile of my ballgown bodice and doing some serious carving to get down to the shape I wanted, and shifted the lace-up to the front. Worked like a charm! You can't see it here, but the blouse is a sheer and solid white stripe, which was a curtain in a previous life. Nice and light... but I really should make a corset cover to go with it. *Adds it to the list*

Total project cost:
Blouse:
Old curtain: $2 at a garage sale
Buttons: Stash
Total: $2 and change
Swiss Body:
Burgundy/Black shot taffeta (stash, originally around $6 at Jo-Ann's red tag sale)
Grommets (also stash)
Ribbon lacing (also stash)
Boning (also stash!)
Total: Free from the stash!
Plaid Taffeta Skirt:
Taffeta: Jo-Ann's red tag again! $16 for 4 yards
Velvet Trim: Some stash, had to order about $4 more
Hook and Bar closure: (stash)
Total: $20
Outfit Grand Total: $22

For all of the pieces that it needed, this outfit went together very inexpensively! Here's the original fashion plate again, from August of '62. I was in high style sporting something out of this month's Godey's!

Jackson!!!

The Jackson Civil War Muster is the biggest event in the state (maybe even Great Lakes region?). It's big. And fun. While it isn't as picturesque as Greenfield Village, or as across-the-board accurate as Charlton Park, it's still a great event. It's the place to be if you're looking to do some shopping at the sutlers. And the battles... aghh the battles! They definitely rank at the top of the local events I've seen. The park re-landscapes the field each year for the selected engagement. In years past, they've grown corn and wheat, dug out huge embankments, and lined up trenches to name a few things. This year the landscaping was pretty tame. The battles represented were 2nd Manassas and Stones' River. New as of this year, they split the battles into two phases, one early in the action and the other showing the conclusion of the conflict. It was a nice effect, as it gave a better feel for the whole thing and how it was won or lost. My favorite part was during 2nd Manassas, when the Confederates ran out of ammunition and repelled a charge by throwing rocks, which was a first among the reenacted battles I've seen!

The guest of honor on Saturday was Mr. Harold Becker, whose father fought in the Civil War. Nope, that's not a typo: his father was in the war 150 years ago. "How?!" you ask. His father, who lied about his age in order to enlist, was 71 years old when Mr. Becker was born in 1917. Thus, the 150-year bridge. Awesome? Awesome.

Mr. Becker, me, and my handsome bro-han.

As I mentioned, the sutlers at Jackson are quite numerous. I didn't do too much in the way of purchasing, but did get a new pair of boots which I have been badly needing, and a small gold [can't remember name!!] to fill with lavender and hang from my belt :)

Aren't they cute! They're quick to get on and off, too :)

It's pretty tiny--only about 1" across!

And now, I can't wait for the next event! I was hoping to hit Wolcott Mills in October, but it's not looking good judging by the syllabi I have been receiving this week. Hopefully I can still at least daytrip!

Parasol Photos and Jackson!

Well, I fell off the face of the earth for the past week and a half. Sorry for the long wait on the parasol photos... here they are, in abundance! It was a nice day, so I trotted outside with Oswald (my faithful camera) and had a shoot.

Ta-daaa! This parasol is like my child ;*)

The still-bunchy insides :/

Folded up and ready to hit the road!

I can't get over the original lace!

The end. (Pun intended!)

The lining still isn't the best [insert understatement of the century] so I'll probably end up fiddling with it some more, eventually. For now, it keeps the sun off and looks super stylish, so I'm satisfied with that! Many ladies were quite envious of my Chantilly shade :)

The Jackson reenactment was this past weekend, which accounts for my absence. In the past couple of weeks, I have:
- Recovered the parasol
- Finished The Epic Striped Wrapper
- Re-set the cartridge pleating on the skirt of the blue and white plaid
- Boned the burgundy Swiss body
- Other miscellaneous maintenance and adjustments
- Made an entire new corset

Surprise! Yes, I just cranked out my first Victorian corset. The one I was wearing didn't fit too great (as it wasn't fit to me) and was too large to the point where it laced up all the way in the back and was still not nearly as tight as it should be. My very knowledgeable friend came over for a few sewing sessions/lessons and showed me how it was done. Look for another post about the corset experience after the JACKSON post, which will be next :) So many posts in the queue right now... be excited!!

Recovering the Parasol, Part II: Patterning, Fitting and Finishing

And we forge ahead in parasol-recovering! Now for the pattern.

Phase 3: Rescue lone surviving canopy piece

Snip. Snip snip snip. Snip snip snip snip snip snip snip snip. That was me removing every single stitch from both sides of the panel. The silk is very fragile. No tugging allowed. Some extremely cautious ironing left me with a flat panel. Despite my caution, it was hanging by a few less threads by the time it was flattened!

Phase 4: Mockup!

I took my pattern piece and cut 8 panels out of muslin to make a mock-up.

It fit the parasol pretty well:

The top. The lace is still chilling on the side.

The underside. Looking good so far!

So I decided to go ahead and cut out the silk!

Old panel, and new panels!

Phase 5: Putting it together

I stuck all of the silk pieces together. They fit the outside of the parasol frame well, but the inside was a little bunchy, so I had to take them in a little. I then hemmed the seams, as was the case in the original piece. I forgot to take a picture during this stage :( I then tacked it on to the frame. Still bunchy. I took it off and took in the seams. Still bunchy. About 62 years and a hundred seams later, it fit tolerably well. Ms. Parasol, meet Mr. Good-Enough... you two are about to become very good friends. I can always fix it more later, I figure. I can't stand the thought of adjusting it anymore!

Phase 6: Attach the canopy to the frame! (Again.)

This is the moment of truth. Here, the silk cover is stitched to not only the ends of the spokes, but also to two more points along the middle. (For the fourteenth time.)

Handy little hole in the tip!

Phase 7: Tack the lace to the silk
Almost there! But the Chantilly lace needs to be stuck down, because
a) it bunches in the middle when it isn't stretched, and
b) it flies up at the slightest breeze.
Neither of those are good! Tacking down it is.

Phase 8: Recline in shaded style
... to be executed at the Jackson reenactment in a couple weeks! Aww yeah!

Final verdict: Re-covering a parasol was... okay. I'd heard everything from "Oh, you can do it in an afternoon," to "Don't even think about it, it's more trouble than it's worth!" It took a few days of casually working on it, but I probably could have cranked it out in one or two intense sessions, or over a weekend had the situation demanded it. I'm pretty happy with it, considering it was my first shot and I did not have any assistance beyond some verbal instruction beforehand.

Final pictures to come in another post--check back in the next few days!

Recovering the Parasol, Part I: Restoring, not Destroying

It is a truth universally acknowledged that it is terrifying to take scissors to an antique, with the intention of dismantling it. Here is a diagram of this horrifying process: 

Nevertheless, I took my tiny Ginghers to the parasol, in an attempt to get the silk off. The whole time, I muttered to myself, "I am restoring, not destroying!" It was only moderately comforting, but after a few minutes, the shock of cutting into an original piece wore off somewhat.

Phase 1: Separate lace and silk.

They were sewn together near the end of the spikes. A dozen or so snips, and the lace was free! Now we get a better picture of the condition of the silk canopy

Destroyed side

Not so destroyed side... looks like a pattern piece to me!

Phase 2: Remove silk from parasol

This took a little longer. Both the top silk and the lining were securely stitched to little holes in the spokes (will be handy later!) and to a few points up the line. Nevertheless, this went pretty much without incident. Since the lace is quite securely fastened on, I decided to leave it be and just attach the silk under it, if possible.

No more silk! Except for the little guards on the spokes,
which are still intact.

Next step: use the extant silk to make a pattern. There are salvageable panels from both silk shapes, so it shouldn't be too bad... I hope! My trip to Haberman's yesterday furnished me with the material for the new canopy. I happened to find silk in exactly the same color as what had come off the original! (I should have enough of it to line it, too, should I decide to do so in the same color.) It also furnished me with the gumption to get this show on the road! My frog closures for my wrapper also finally arrived in the post yesterday. Now, I have to get these two projects cranked out so I can get going on the rest of my pre-Jackson sewing madness!

The Parasol of Destiny!

When I first started reenacting, I didn't realize how crucial it was to have a parasol. Laugh if you will--it's pretty much a necessity! Once you've used one for ten minutes and realized that having your own portable shade cools you off a solid ten degrees, you're spoiled for good. I've been meaning to get one for a while now, but hadn't run across any in the right style/price. Finally, I caved: I had some birthday money, and was getting one before my next event no matter what! I stalked eBay for a while, until I found... IT. The parasol.

I've always loved the lace ones, but they're always significantly more expensive than their plain silk counterparts. This one, with the carved handle to boot, was the most spectacular one I'd seen up for sale anywhere near the double digit price range. I stayed up late until the bidding came to a close, and won it for only $65!

I then ran around the house and told my brother how fashionable I was about to be approximately 62 times. It finally came the other day, and now I have to set to work on it so it's ready for Jackson at the end of the month. The ivory silk needs to be completely replaced, but the original lace is in very good shape minus a smattering of small holes that can be easily fixed.

Here are a few more shots of it, because I'm in love:

The underside, showing off the carved
handle and the lining.

Even the finial is carved all fancy-like!

Isn't it delightful!
(This shot makes the lace overhang
look longer than it really is.)

I've seen other originals lined in a light pink, and am considering something along those lines, depending on how ambitious I'm feeling once I reach the fabric store. A trip to Haberman's in Royal Oak tomorrow should supply me with the necessary materials... now if I can only get the pattern mock-up to go smoothly!

Progress posts will be made. Stay tuned! :)

The Epic Striped Wrapper, Part 1

Last weekend, I decided to whip up my new wrapper, which has been waiting to be made for a while now. I have one already, and it's hands-down the piece of clothing I use the most at events. It's so nice to have something to throw on in the mornings for breakfast, etc. without having to get completely dressed. (I always put my corset on before eating, which would force me to finish dressing for the day before food, hair, or anything else could really get done. Not good!) The making of another wrapper came less out of dissatisfaction with my first one, and more out of finding the BEST. WRAPPER. FABRIC. EVER!

Destiny? Destiny.

The moment I saw it, I knew it had to be a wrapper. That was last summer... since then, it's been pushed aside for other projects. In the wake of my Hastings sewing and with almost a month left until Jackson, it seemed like a good time to get it rolling.

I wanted to make a different style than I had previously, so I pored over every original wrapper I could find on the internet. (Not as daunting as it sounds... there aren't nearly as many examples as I would like!) I settled on a design that was comprised mostly of a single pattern of fabric, to highlight the stripes I am madly in love with. I also wanted pagoda sleeves, since half the beauty of a wrapper is lightness/coolness. I ended up with a cross between these:

   

I had bought a little bit of a complementary yellow fabric at Hastings, and decided to use that for jointed sleeves as in the second original. I set to work altering/drafting, and arrived at this!

It also fits over my hoop, which makes it
look more like the other examples.

The sleeves are jointed just above the elbow, and are very comfortable as a result. I shortened them a little bit, so as to keep them out of the way. (They fall about halfway down my forearm.) My next step is to add front panels in the yellow cotton, which will be fastened with ten navy blue frog closures that I bought on Etsy: 

I am looking forward to the frogs, as my current wrapper is closed with a double row of buttons. Not very quick to get on and off! My favorite part of this one so far is the back. I decided to try a V pattern, and was very taken with the result:

Looks lopsided, but isn't really.

And just because I love it, here's a closeup at the waist:

Cartridge pleats and contrasting piping... yum! :)

 I'm hoping the frogs come soon, so that I can put them on and get it finished up. After that, all I have to do is hem the neckline and the bottom. Then, it will be belted, probably with a navy blue cord to match the frogs. All in all, it went together pretty quickly!